35mm | Medium Format | Large Format | Camera Reviews
Our archive of analog camera reviews is listed below. You will find reviews of some of the best film cameras from brands such as Fujifilm, Nikon, Canon, Hasselblad, and more. You can see a complete listing of our archives, here.
Canon FTb, a workhorse loved by die-hard Canon FD mount fans, is one camera that gets overshadowed by the A-1 and AE-1 with photography enthusiasts.
Last September I finally pulled the trigger on a camera that I'd been eyeing for a while - an Intrepid 5x4. I already have a Crown Graphic, but I wanted something that would give me more flexibility with regard to movements. With the Crown Graphic I don't really use movements, so all you're gaining is the additional film size, and since my Hasselblad is no slouch in the optics department, there didn't seem to be much advantage in using the Crown Graphic over the Hasselblad, despite its smaller film size. The Intrepid would, hopefully, give me more flexibility with movements, as well as being lighter and more compact.
The combo of a Contax G1 and the 28mm lens came into my life about 24 months ago. This particular cam was not at all on my radar, but after reading a number of glowing internet reviews, I was hooked and knew I wanted one.
Konica’s Autoreflex T3 descended from their original Autoreflex single lens reflex which had the novel (and probably unique) feature of being able to switch from the full 35mm format to half frame at will mid-roll. Although the T3 does not share this ability, it’s still a solid, well made 35mm SLR that’s worth considering if an example presents itself to you at a keen price.
My display case at home contains too many 35mm SLR cameras. Beautiful, elegant examples from some of the big names in film camera manufacturing; Nikon, Canon, Pentax, Minolta, Konica, stare wistfully through the glass. The cameras are from my brief yet intense period of searching for my perfect 35mm SLR camera.
Enter the Voigtländer Bessa R3M – a subtle masterpiece in design and function.
I’d been jonesing for a medium format point and shoot for a couple of years now. I like higher end automatic rangefinder style cameras because they allow me to focus on the image rather than the settings. It was one of those deep down wants that I’d feed on regular occasions with internet reviews and Ebay browsing. LOTS of internet reviews and Ebay browsing…
At times, objects seem to take on more than their physical nature; they embody and become part of the memories attached to them. This is no different for cameras, maybe even more so for a camera.
When Lomography introduced the Lomo LC-A 120 it was with this optimism that we got excited about getting one in to Blue Moon Camera. A point-and-shoot medium format street camera with a 38mm lens!
In this camera harem of mine, I have my favourites, the ones upon whom the passion is even stronger. One of them is the Fuji GX 680. I have model II, built in Japan from 1995 to 1998. And it is just something out of this world, that weights around 4kg, accessories out, made for studio work, but that I carry around hanging from the neck feeling it like a feather of joy and pride. A true love story.
I have a theory about hunting for used cameras, wherein the closer you get to that payment sweet spot, the more you will love that camera.. . . . Today we have the first in a series of articles on gear by Marc Nagainis, starting with the classic Hasselblad 500 C/M.
Film photography enthusiasts usually have a lot of cameras and I’m no exception. Recently I found myself reaching the point that I call Vintage Camera Critical Mass. This the point where your collection of cameras is so large that it starts attracting more cameras all by itself. . . .
In honor of "Red Oktober," we will be featuring a short series of FSC members' musings on their favorite FSU cameras. We begin with Kevin Rosinbum's musings on his personal favorites.
This past weekend, I had the pleasure of being part of a Polaroid workshop/Polawalk hosted by Impossible HQ in beautiful Central Park at the heart of New York City to kick off the start of Polaroid Week 2016.. . . .
Film photographer Bill Smith makes a convincing case for the worry-free practice of acquiring durable cameras to tote on vacation.
HW Kateley reviews the Fuji GS645s
Film photographer Michael Fauschette posits a lesser known option as an ideal travel camera, and reviews the Bronica rf645.
Ever want to shoot large format hand held? Want to shoot wide open and large format and hand held? Want to rock it like it’s 1929? Then a Graflex SLR may be for you.
As many of you know, April 24th, 2016 was Worldwide Pinhole Photography Day (WPPD). I am not a professed pinhole professional, but I have this Ondu pinhole that I have used a few times and I thought I would take her out for a spin again.
The F2 is a fun, reasonably priced Nikon body and in the AS version a real joy to shoot.
A nice review of a time-proven system, along with some useful tips for purchasing and maintaining you growing collection: The Olympus OM-Single digit system.
On last January I found a Polaroid Land SX-70 camera from a private vendor. I was getting acquainted with it before but, as it is a bit expensive to shoot a Polaroid nowadays, I didn´t really get into this world up until now.
My photo output has had a nitrous-oxide boost lately. The Olympus XA is a creative pocket powerhouse. In fact, combined with the availability of £1 rolls of 24 exposure Agfa Vista 200 film here in the UK, I’m shooting more frames than ever.
The camera that we’re looking at in this article, the GSW690ii is a great example of the classic rangefinder with one notable exception, it is in no way diminutive. Saddled with the nickname of "Texas Leica” it is something of a behemoth by rangefinder standards. . . .
Fast forward 25 years and I’ve made tons of mistakes, though the pee and fart ones have largely tapered off. I can without a doubt tell you that one of the great mistakes I’ve made in recent years was selling my Hasselblad 500C/M. At the time I had my reasons, and when I remind myself of them I feel justified, but I would be lying if I said I didn’t miss it
The things you love the most, it seems, stick with you the longest. Chase Jarvis said, “the best camera is the one that’s with you,” but I tend to think my best camera is the one I never sold. I’ve come back to the Minolta SRT101 and SRT102 because of nostalgia, but what I gained was so much more.
The Kodak Medalist is one of the more interesting cameras that Kodak ever made, and is arguably the best American made camera that ever came out of Rochester NY. Designed by the famous American industrial designer, Walter Dorwin Teague, the camera is also one of the most unique and pretty cameras that I’ve ever come across.
This is a small feature packed camera that works well as an all around pocketable shooter. It has the ridiculous long zoom that was common in some models of this era. (I always thought these things looked like Pinocchio's nose. ) None the less, it can produce very good quality images, is easy to handle, seems common in the used market, and is not expensive to purchase.
My first 35mm film camera was a Konica Autoreflex T, an ancient 35mm camera built like an absolute tank, and the first ever to feature a built-in light meter. Unfortunately, the weight and heft of it didn’t hinder the jam that left the film advance stuck forever in place, rather shortly after I purchased it. Although short-lived, my relationship with this camera got me into the process of photographing with black and white film, and I am truly grateful for it.
This review continues on the theme of inexpensive but good quality film cameras.
The Konica Z-up28W is interesting because not many point and shoot zooms start at a wide angle of
28mm. It zooms to only what would be considered a *normal* focal length of 56mm. For me, this is a
very useful range.