Only Way is North | Wing Hong Leung

It was 3:24 pm on a Friday, 8th of July 2022. As every worker in a white collar begins to appreciate the ever-lingering movement of the minute hand, most of them realise their weekend daydreams might just come to fruition, given it’s the 28th weekend of the year.

A commonly accepted truth is this - the wall clock moves slower if you stare at it. 

A sudden teams inbox message requesting an audio call came slightly too late for my comfort; perhaps it’s the loose ends that need tying again.

Two things resulted from that audio call:

  1. My plan for the foreseeable week is cancelled

  2. I am going to Cape York, Australia. This coming Sunday.

Feeling surrealistic as I had to make travel arrangements, I spent most of my Saturday ignoring that a whirlwind road trip is imminent. Perhaps old Orwell was right- “Ignorance is strength.”

I reluctantly packed a small set of gear on a loan of good faith by my friend Samuel. The kit consisted of the following which I managed to fit in a single SLR carry bag

  1. Minolta Cle 

  2. 40mm f2.0 m-rokkor

  3. 28mm Leica Elmarit f/2.8 v2

  4. 90mm Leica Elmarit f/2.8

  5. Cable release

The only thing certain on the day of the trip was this-

The Only Way is North.

I flew from Townsville to Cairns and drove the rest of the way. Approximately 10 hours’ drive in total. Summary observations on my leg of the drive are as follows:

  1. Quaid Dam's reflection was utterly calming; the realisation of the road trip has settled into the core of my body

  2. After Mt Molly, the roads begin to become narrow and winding. But at random times, it would straighten out far as the eyes can see

  3. The roads became red after Laura and fuel was getting expensive

4. An Oasis forms surrounding the Hann’s River Roadhouse, which I photographed as the light which spilled on the red dirt turned yellow

5. As the dust cuts through the bush, the skies turned pink at Musgrave.

Throughout the week I was there, a surge of energy would rush into me upon knock off to explore and see the surroundings of Archer River.

There is an interesting dynamic and perhaps a relationship in which I, myself, cannot draw the lines, whether it puts me in an existential debate or it has become the very thing I refuse to think about it at night for the betterment of one’s sleep.

The presence of a construction site shows the full might of man and machine that exists on downstream of the Archer River:

And a pure example of juxtapositioning in public display: the remnants of the frontiers, yet to be touched by man:

Even now, I can’t help but wonder what parts of the remnants of the frontiers should we leave alone; perhaps we have seen enough for one life. Every step I took upstream felt strange as if the whisper of the wind was telling me I was leaving my world for another. But what about the people? Cape York is known to be flooded for the majority of the wet season, improving its road's flood immunity is crucial for those who reside there. 

On my journey back to Cairns, the very question lingered in my mind.

And right now, I still don’t have the answer,

Perhaps I never knew the question 

Maybe it’s not for me to answer

All photos are taken on Wik, Kaantju and Wikampama land, the traditional custodians of the land where Archer River is.


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Film photographer Wing Hong Leung is based in Townsville Australia. See more of his work on Instagram.

World Cyanotype Day | Amy Jasek

Happy World Cyanotype Day! In celebration, below is a selection of the pieces that were sent to us when we put out the call. Please check out World Cyanotype Day’s instagram and Facebook Group. Be sure to check out Alternative Photography’s website, too, for lots of great work (and info). And, last but not least, our friends at the The Purposeful Mayonnaise have a celebratory article up on their site, too!

Thank you to everyone who submitted! Happy creating, friends.

Cyanotypes | Amy Jasek

World Cyanotype Day is approaching: to paraphrase Tennyson “ah, late summer, when a woman’s fancy turns to cyanotypes!” Around August each year, I feel the lure of blue calling to me, and I brave the ridiculous Texas heat and humidity to make yet another crop of prints.

I first learned about making cyanotypes in 2015, although even before that they had snuck into my life via my (then) young daughter’s birthday in the form of a “sun print” kit. While I thought they were interesting, I wasn’t instantly hooked; it took my playing around with the process a little bit. Once I realize what I could do with them, however, cyanotypes became a major part of my creative life.

Wildflower photogram (cyanotype by Amy Jasek)

A few years ago, Richard PJ Lambert wrote an excellent article for us going into the details of the process and showing how you can make them at home under any conditions using a UV lamp. Take a look at his piece here.

Cyanotype by Richard PJ Lambert

With no lack of sunshine where I live, the above phone snapshots (examples from a workshop I had a few years ago in my backyard) show my usual setup, except when it’s just me and I’m just making a couple at a time, I wash them in my kitchen sink.

Cyanotype contact print of 8x10 negative

The process is incredibly versatile: I’ve cyanotyped everything from photograms of flowers on fabric and paper, to large format negatives, to shirts, skirts, and shoes. Some artists cyanotype on bone, on wood, on glass. Since you can cyanotype just about anything, this means that you can make all kinds of interesting items out of the prints themselves. Check out this book made by Barbara Justice, who also leads workshops.

Handmade cyanotype book with pockets

This year at the Instant Film Society’s PolaCon in Denton, TX, Jen Brimmage will be leading a cyanotype workshop, and I’ll be there too to talk about World Cyanotype Day and (hopefully!) help make a big community cyanotype.

Cyanotype by Jen Brimmage

Wet Cyanotype by Barbara Murray

Barbara Murray shares her alt process work, including cyanotypes, on a dedicated instagram.

Cyanotype by Gabi Roozee

Gabi Roozee is another FSC member who makes cyanotypes.

So - are you ready? Are you inspired? World Cyanotype Day is the last Saturday of September every year. You are welcome to enter! Be sure to check out World Cyanotype Day’s website, instagram, and facebook group, where you can find details for entry. Also check out Alternative Photography’s website for loads of great info, and how to enter their celebration.

And, last but not least, SEND US YOUR CYANOTYPES! I’ll be curating a special photostream of your submissions: you can send in one here. Send us any cyanotype, it doesn’t have to conform to this year’s World Cyanotype Day theme. The deadline for our entry is September 11.